In this week’s epsiode the girls talk about the wonderfully satisfying documentary photography exhibition, Forest thats currently showing at Side Gallery. It looks at the relationship between trees and city in various parts of China. We also have a little chat baout ht eother two exhbitions that are showing at Side.
This week Alice and Amy talk about their trip down to Middlesbrough where they checked out ‘Major Conversations: The Industrial Narrative’ at Platform A gallery, and three new exhibition openings at Pineapple Black (‘Through Sound’, ‘Nights are Not Asleep’ & ‘Girls World’).
For this week’s episode the girls went back over to the Tyneside Cinema to check out what’s on in the Projections programme. This time Holly Argent, known for starting the Women Artists of the North East Library, gave a ‘performative lecture’ about here archival findings of the Polish art duo, KwieKulik. This was a really amazing and unique experience, and a fantastic taste of what you can check out at Projections.
For this week’s episode we’ve got a double-bill! Abject gallery currently has two exhibitions going on so we thought we’d check them both out! First up is Erin Dickson’s awesome multi-channel video piece ‘More Gnarly Illusions’, and next is Georg Óskar’s body of paintings, ‘I felt bad but I feel little bit better now’. They’re radically different and we loved them both, let us know what you thought!
Hey there, Alice here. As you all may or may not know I am an avid photographer, and my main medium is that of analogue photography. Now, a lot of the analogue cameras you may have seen look pretty recognisable, like compact cameras, disposable cameras and slrs, however they didn’t start out like this. After seeing the subject of this week’s episode ‘No Man’s War’ at Bishop Auckland Town Hall, and an old Kodak Vest Pocket Camera in a display cabinet, I was inspired to write a little bit about using the oldest camera I own.
So this camera is a Kodak Brownie No.2, and it’s literally a cardboard box with a spring shutter and a couple of bits of glass/plastic. This model in particular hails from all the way back in 1917 (ish), which coincides with the First World War and the subject of much of the exhibition. Back in the day this type of camera was the everyday camera for families, much like the disposable camera. When you shot a roll of film with this camera you’d just take the whole thing back to the shop, and they would take the film out, develop it, print it and load up a new roll of film, making it ready to use immediately.
Despite its age and ridiculously simple design (its very much the definition of a point-and-shoot camera, there’s nothing by way of settings or adjustments to make), the photos this camera makes can be pretty amazing. A quirk the images have is a really sharp centre, however the edges can be pretty blurred, which I imagine is because of the quality of the super old lens. The negatives you get from this camera are also pretty ridiculous in how big they are: a whopping 6x9cm. To see the comparison between this size and 35mm film, here’s this handy-dandy diagram.
One of the main reasons I fell in love with shooting film was the fun you can have trying out old cameras like this, the ones that you don’t really see anything like anymore. Also you can find them for real cheap on eBay so that’s always a plus!
I hope you liked this little look into my little world of photography, and if you’re thinking of taking up film photography I’d really recommend having a go of a box camera like this – it’s so much fun!
This week, myself and Alice discussed our experiences at ‘The Naked Portrait’ currently at the Laing. We would really recommend giving it a visit using the discount on their Facebook page!) and if you haven’t heard our thoughts you can give it a listen here.
In its exploration of the difference between ‘naked’ and ‘nude’ the exhibition included some examples of life drawing that I found to be truly mesmerising. During all of my education I was never given the opportunity to try life drawing (absolutely shocking for an art student) and so this is something I chose to pursue after I had graduated. I love the act of studying the human form and feel it has improved my observation skills and my decisive mark making, i.e the ability to make a bold mark on a page with confidence.
Even more importantly, my weekly life drawing classes are like therapy. For 3 hours a week I sit in a room and think only about the model and the paper in front of me. I liken the experience to meditation.
I feel this is something that anyone who enjoys drawing should try! whether you identify as an artist or not, life drawing can help you build an arsenal of skills that you will use beyond drawing the human form. Its also fun to spend some time in the presence of nudity without sexual connotations that are now common place in society today – something which can be a little strange at first but that I now find quite liberating.
As always, I would like to take this opportunity to reinforce the idea that there are no rights or wrongs in art – and life drawing is no exception! Even if you are in a room full of other people drawing the same subject, a prospect that can be quite intimidating, what you see will be different to everyone else. Your artistic eye and style will shine through in whatever you do, but more literally your viewpoint of the sitter will be slightly different and therefore so will your artwork. If you find yourself in a class will many other artists it can be very inspiring to see what everyone else produces and see how they have managed to capture the model from their vantage point.
I enjoy using colour to abstract my work. I also find something highly satisfying about ‘half finished’ pieces in which some sections of the body are highly detailed and others are left as an outline:
How to find the life drawing class that works for you:
There are a few options out there so all you need to do is consider the price, frequency, time, style and travel/distance evolved. Depending on what you’re looking for, you can sign up to courses that last multiple weeks or sessions that run on a week-by-week basis. to save you some googling I have compiled a few examples that may be appealing to you. But remember, there are plenty more out there (for example if you are part of a university the arts society may run life drawing classes).
Cobalt Studios: If you’re after a low-key life drawing experience, Cobalt Studios might be the one for you! Each evening promises to offer a slightly different experience but good music and art is a garment. This is a self lead experience with no teacher, but feel free to reach out to your classmates for advice and feedback! You will need to bring your own materials and sketchbook but boards and paper is provided. http://www.cobaltstudios.co.uk/event/lifedrawing-tickets-247259
Local Council Adult Learning: Local councils have an obligation to make sure that all of their citizens have access to learning opportunities and usually have a selection of courses available. Legally they must provide at least Maths and English level 2, but many also offer leisure courses (depending on the local council in question). Since graduating university I have completed courses in ceramics, creative writing and life drawing all of which were offered by my local council’s adult learning programme. I feel it is vitally important to use these services while they are here as, with government cuts to both education and the arts, they may not be around for much longer! By enrolling on these courses we are proving that they are valued and important and give the council a reason to keep them running! There are often discounts available too which are worth checking out! Below I have included the websites to some local council websites so that you can have a look at the prospectuses and spy any arts courses that you may be interested in. North Tyneside:https://my.northtyneside.gov.uk/category/225/finding-right-course Newcastle: http://www.newcastlecitylearning.ac.uk/ Sunderland:https://www.sunderland.gov.uk/article/12113/Libraries-museums-events Middlesbrough:http://www.mcls.ac.uk/art.html
The Lit & Phil: The Lit & Phil is an independent library in Newcastle, housing over 170,000 books, making it the largest independent outside of London. However this institution is so much more than a library; it is also a historic building, a meeting place, office, theatre, lecture hall, jazz venue, performance space and, a classroom! Classes, including life drawing are offered here so check out their website to see how you can get involved. As the Lit & Phil is independent this could be an amazing way to support one of Newcastle’s coolest venues and learning institutions. http://www.litandphil.org.uk/whats-on/2018/apr/life-drawing/
When signing up for life drawing, try not to worry too much about finding a course that is specifically for ‘beginners’ (or the level that you feel you are at), as life drawing is something that even the most experienced art master would need to practice throughout their art career. I would however suggest that if you have never done life drawing before that you choose a course that has a tutor as they will be able to provide you with some art theory and techniques to get you started.
These are just a few examples of the numorous classes that are out there!
I hope this helps you in your search for art classes or perhaps even inspires you to consider taking one if you hadn’t considered it before.
Hey hey, Alice here! Inspired by this week’s episode where we went along to Side Gallery in Newcastle to check out J A Mortram’s poignant and emotional photography exhibition, ‘Small Town Inertia’, I thought I’d introduce some of you to the world of film photography.
This is my main medium; a large part of my degree was photography, however it took me until my final year to delve into using film. This is probably for the best because given the nature of film: you’re not able to check your shot immediately, you’re restricted to a certain number of shots per roll of film, and you don’t necessarily have a lot of range when it comes to editing, so I’m glad I actually learned how to take and compose images first.
Here’s some stuff:
This is an example of a Single Lens Reflex (SLR) camera, and is one I’m currently trying out. IT’s a Zenit 11 which is one of the many Soviet-made cameras from the 60s which I managed to get on eBay in surprisingly good nick. This works pretty much the same as a DSLR today, but instead of having a screen to view your settings and images you need to load it with film, for which there is a tonne to choose from, and take generally no more than 36 with a single roll.
This is a roll of 35mm film which you could use in the above camera. In particular it’s a roll of Lomography 100 which is a colour negative film and currently my fave – it’s pretty cheap and the colours you get from it are just fab. Colour negative film means that when it’s developed (which you can still do at Max Spielmann’s for cheap-ish) the colours are inverted. If you were to to print them in a darkroom or scan them using dedicated software the colours will invert, giving you a positive image.
Here’s some pictures I’ve taken using this film:
This is an example of a medium format film, so named because it’s in between ‘small format’ (35mm cameras) and large format (4×5 and upwards – this is v expensive so I haven’t tried any of these one). For pretty much all medium format films you you 120 film, which is rolled onto a spool with a paper backing rather than into a light-tight canister. As such the frames can be a range of different sizes (not the uniform size of 35mm). The camera in this photo is an Agfa Isolette which I managed to get on eBay for a fiver, and it’s from all the way back in 1953 – it works amazingly despite its age! When using 120 film you get square photos (6×6), and take 12 shots per roll of film.
Sometimes these older cameras and more simple ones have no way of interpreting what the light is like, and therefore what the setting should be to get a correctly exposed image (this is obvi pretty simple to do on DSLRs and things like mobile phone cameras do it automatically). As such light meters exist, and far more modern, accurate and digital ones exist but this is my trusty Weston light meter (also from the 1950s I think?) You simply tell the light meter what the speed of your film is (like the ISO of digital cameras), point it at the thing you’re taking a photo of, and the meter will give you an indication of the apertures and shutter speeds you could use to make the photo.
Here’s a few photos I’ve taken with this camera:
There’s so much to say about photography and film general that this could turn into a small book real fast, so I might do another one of these sometime in the future. Thanks for having a read, and I’ll shamelessly plug my instagram (@alicethetriplet) so you can have a look and some of the things I’ve managed to make with film.
This week the girls have a chat about J A Mortram’s very poignant photography exhibition, Small Town Inertia, currently showing at Side Gallery in Newcastle. The photos explore the everyday lives of Mortram’s friends and neighbours, showing how their lives are severely impacted in this era of austerity cuts and governmental neglect.
Hey guys, Amy here. It’s been a little while since I’ve shown my face (more like voice, or words) to this podcast, but trust me, I’m still around! It’s been a busy time but you should be getting a little more content from me, whether you like it or not.
So by now you must have listened to the latest episode of Hey Art, What’s Good? In it, myself, Alice and Rosie went along to the Abject Gallery to check out the hu exhibition. We were invited by one of the organisers, Andras Nagy-Sandor, to see the works of five Hungarian artists living and practicing in the UK.
This exhibition focuses on what’s lost or gained in each translation of the artist’s work. Before taking it to Newcastle, hu showed in Dundee. After Newcastle, it will go on to show in London, and it’s designed to change in response to each gallery it comes to.
When you walk into the room, the first things you see is a striking object by artist Zsofia Jakab. This is what first looks like an old spinning wheel but upon closer inspection looks more like an insect. It has insect-like legs and the wool it’s spinning looks more like cobwebs. Jakab came to Dundee from Budapest to study art and was inspired by university workshops to move her practice towards sculpture.
Next to this piece and dotted around the room were the works of Zsofia Schweger. Her paintings of interiors show that while her environment has changed, interiors stay the same. Her paintings look very aesthetically pleasing with pastel colours and perfect symmetry. I personally feel that they offer a sense of nostalgia as they make me think of old Pokemon games too. I also find these paintings very calming to look at. After studying abroad myself (in Hungary actually!) I found that the big change in environments could be overwhelming at times. But going back to familiar places such as a bedroom or library could offer me some solace.
One of the most noticeable pieces in the room was that of Petra Szeman. At the back of the room was a TV and headphones showing her moving image piece. Szeman is from Budapest and now lives in Tsukuba, Japan. Her moving image piece features an anime character that is both herself, and a character that looks like her. It mixes anime and video game styles with real-life photographs and videos. Instead of a voice over or speech, she uses video-game style typed speech. She goes through a day visiting landmarks around her Japanese city and reflects on her time there. It’s an enthralling piece of art to watch and I can’t say I’ve seen work like this before, so it definitely left an impression.
These are only a few of the pieces we saw at the hu exhibition at the Abject Gallery. There were of course many more amazing pieces of artwork on display that I didn’t get around to discussing. Whether you catch their Newcastle show or make it to their London show, go see them yourself!
We also have a bunch of other blog posts for you to read, so go check them out here.
Last week the girls went along to Abject Gallery to check out ‘hu’, a travelling exhibition of Hungarian artists practising in the UK. There was such a fantastic range of artworks across different mediums, and this exhibition ultimately seeks to explore if and how one’s environment affects one’s artistic practice.